You would not believe how many connections one can acquire working props. This work is one step closer to the main stage and requires close interchange with the director. Organization and readiness is a must. A director wants a prop master that he can trust to change the scenery, arrange sets, and be able to change plans at a moment’s notice. Generally, they must be completely trusted to run the job on their own once the show begins. It takes a lot of passion for the theatre to want to carry around heavy sets night after night, and with hard work and diligence, directors will take notice of your work ethic. Eventually, you will gain something that is crucial for your advancement in the theatre-your director’s respect.
Having fun yet? All this work really isn’t so bad, is it? Once you have experience in other backstage areas and have made connections with other influential actors and directors, you are ready to take your backstage expertise to the next level. Stage managing takes all skills acquired backstage and rolls them into one position that is in charge of organizing all the show’s factors to the very minutest detail. The heart of this position is to alleviate the work burden of the director and to step in and lead when he cannot. Watch video in link below
video link : http://wp.me/p8HeNU-1Fp
Although it may initially mean eating crow and humbling yourself, in the end, you will come out on top with character as well as a well-rounded knowledge of the stage. Directors will see your perseverance as your shining quality, and you will get those jobs like those people that you complained only got the jobs just because they knew people. Now you know people, too. What to do next? Help others rise to this challenge.
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